This chapter opens with Nick describing the various parties that Gatsby holds, as well as the rich and powerful people that attend. One day, Gatsby takes Nick out to lunch to exchange stories. They have lunch with Mayor Wolfshiem, a corrupt character who is involved in many shady deals.
I was a precocious reader and desperate to be treated like a grown-up, so I read books for grown-ups because anything else was just too puerile for someone as obviously mature and sophisticated as I.
Outside of YA circles, I sometimes find myself having to justify my tastes to others. Yes, a lot of why I read YA lit is because I work with teens. YA lit is also mostly free of the melancholy, nostalgia, and yearning for the innocent days of childhood that I find so tedious in adult literary fiction.
When we can hardly even agree on how to define YA lit 1how can we so easily reduce it to something as strictly delineated as a genre? This author characterized YA lit as first-person, coming-of-age stories told in pages or fewer.
Furthermore, while there certainly are shorter titles being published for teens, every single book in four well known YA and upper middle grade series—Harry Potter, Percy Jackson, Twilight, and the Hunger Games—are all longer than pages.
But what about that coming-of-age bit? How does it compare to fiction for grown-ups? Printz Award goes to books aimed at readers who are twelve to eighteen. Historically, what might have been called literature for youth was fiction that was essentially an instruction manual intended to create well-mannered young people, didactic tales of what happens to disobedient children, and the problem novel of decades past—essentially what adult writers thought teens should be reading 3.
Fortunately, these days libraries and booksellers are classifying what teens want to read as YA fiction. YA lit is similar to adult lit YA lit is a quickly growing field: One notable trend is the success of book packagers, such as Alloy Entertainment, that develop ideas for new series and then contract out the writing to authors, who work closely with editors to flesh out the stories, which are then sold to publishers.
Their series, which include the Gossip GirlLuxeand Sisterhood of the Traveling Pants books, are often created with movie and television tie-ins in mind.
In some ways, YA lit has become a lot like literature for grown-ups: YA lit is different from adult lit YA lit is also different from fiction for grown-ups. The romances are a little different.
Less superficially, the tone of YA lit is often different: Often, though not always, YA lit is more story-focused. All of this, I think, reflects the differences in the minds and lives of teens compared to adults. For all the flack they get, the Twilight books are a great example of genre-blending.
The first book begins with the funeral of the lovely, beloved Elizabeth Holland and then jumps back a few days so readers can follow how it all happened and discover the secrets she and her peers kept and exposed.
Gemma is forced to return to her father in Victorian England, who then ships her off to a boarding school. The girls there initially snub her, but as Gemma begins to discover and develop her powers, she gathers her own clique. Throughout all of this, Gemma is being observed by the beautiful, mysterious Kartik, who has followed her from India.
Figuring out who it is that knows all of their secrets before those secrets get spilled is the mysterious core around which the boyfriend-stealing and backstabbing swirls. In a recent blog postYA author Chris Wooding discusses the freedom he gets from having permission to blend genres, drawing on examples from YA lit and a few middle grade titles: Genre works are mixed in with the others where the browsing public can see them.
Genre definitions mean nothing. You want to write a steampunk post-apocalypse adventure full of cities that drive around eating each other? Or a book about a child passing through alternate realities in search of a weak and feeble God?
Such ideas would be risky prospects at best in the adult market. Straight-out fantasy and SF are much safer bets than something genre-straddling and unfamiliar. Just look at the big sellers in the field if you need evidence.
Not so the YA market.
Inspired by the success of the Twilight saga, lots of other paranormal romance stories have been published in the last few years. The point is that currency is key.
It also helps YA lit create an environment that encourages innovation.Textbook Solutions Master the problems in your textbooks. With expertly written step-by-step solutions for your textbooks leading the way, you’ll not only score the correct answers, but, most importantly, you’ll learn how to solve them on your own.
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The Great Gatsby Journal Student Handout. For each of the nine chapters you will be expected to write the following in your Gatsby Journals..
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